Repurposing Wood for Sacred Images in Kamakura-Period Sculpture
Sculptors during the Kamakura period at times looked to unconventional sources for their images in other projects. One of the most noteworthy instances of this practice occurred in 1256 when the sculptor Kaijō carved statues of Aizen Myōō and Jizō from wood from the pillars of the Great Buddha Hall at Tōdaiji that had burned in 1180. When preparing to carve the statues Kaijō and his patron, the monk Jakuchō, consecrated the wood, and then Kaijō and his assistants maintained the Eight Pure Precepts while sculpting the images.